Kingyak's International Haunted House of Chili
A Six-Pack of Stagger Lee PDF Print E-mail
Written by Steve   
Wednesday, 02 June 2010 13:58

This article originally appeared in an old incarnation of The Death Cookie. Since Stag's hat is one of the items described in American Artifacts, this seemed like a good time to reprint it.

If you're a music fan (especially a blues fan), there's a good chance you've heard at least a song or two about a man named Stagger Lee, or maybe Stag O'Lee, Stacker Lee, Stack-A-Lee, or any of the many names Stag's been known to go by. Songs about Stagger Lee have been recorded by over 200 different artists, including Mississippi John Hurt, Lloyd Price, The Grateful Dead, and Nick Cave. The details vary from song to song, but the basic story goes something like this:

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An Introduction to TableTop Role-Playing PDF Print E-mail
Written by Steve   
Saturday, 29 May 2010 19:08

In my continuing quest to write for every web site in existence, I've started a series on role-playing over at hubpages.com. The series will be geared towards new gamers, but will get into more advanced role-playing disucssions as time goes on.

Role-playing games (RPGs) have been around since the 1970s, and at this point most people are familiar with them even if they don't know precisely how they're played. When most people think of tabletop role-playing, they think of Dungeons & Dragons, the oldest and most popular RPG on the market, and imagine a bunch of geeks sitting around a table in viking helmets rolling funny dice, eating Cheetos, and quoting Monty Python. While the hobby's image as an activity engaged in by socially awkward misfits can be disturbingly accurate, RPGs can also be a fun diversion for normal, well-adjusted people.

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The Rules: Robin Hood PDF Print E-mail
Written by Steve   
Wednesday, 26 May 2010 04:29

n the past month, I've had Robin Hood on the brain. I've been toying with the idea of doing some sort of Robin Hood supplement for QAGS for several months now, so when I found a copy of J.C. Holt's book, Robin Hood, which attempts to find the historical Robin by tracing the character's literary history, I bought a copy. I've also been watching the second season of the recent BBC Robin Hood series starring Jonas Armstrong, which is lots of fun despite (and occasionally because of) it's quirks. Last but not least, I went to see a Ridley Scott movie starring Russell Crowe that is called Robin Hood but doesn't actually seem to be about Robin Hood. Don't get me wrong: I appreciate the fact that characters like Robin Hood change over time, but certain core aspects of the character need to remain. Otherwise, the character ceases to be a character in any meaningful way. As a public service to Ridley Scott, here are The Rules of a Robin Hood story.

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Archetype of the Week: The Rookie PDF Print E-mail
Written by Steve   
Friday, 28 May 2010 03:06

The rookie is the new kid on the block who doesn't have a lot of experience. Unlike the hot shot, he also doesn't have an amazing knack for his line of work. He's just a regular guy starting his career. As a newbie, most rookies are subjected to all sorts of condescension, practical jokes, and initiation rights that they have to put up with if they want to earn their place in the group. In many stories, especially cop movies, the rookie's career will move in one of two directions: either he'll prove himself and become one of the heroes, or he'll die, usually in a way that is either darkly comical or sufficiently tragic to spur the heroes on so they can avenge him.

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Archetype of the Week: The Trickster PDF Print E-mail
Written by Steve   
Friday, 21 May 2010 21:42

The trickster (often called the shapeshifter) archetype is closely related to the fool, but tends to be a more subversive character than the fool. The fool is (whether he knows it or not) is the object of others' laughter; the joke is on the fool. With the trickster, the joke is nearly always on someone else, and it's the trickster who's laughing. The trickster only reveals his true nature once the joke has paid off, and in many cases doesn't even do so then. Andy Kaufman played both roles and offers a good example of the difference between the two: as "the foreign man" (who later became Latka on Taxi), he was the fool; as Tony Clifton, Andy embodied the trickster. In literature, the trickster is often revealed to be something more than he pretends, usually a king or a god.

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